test feb

Jimmie Vaughan - Live in concert at The Token Lounge

 

General Admission (Standing Room) $35

Main Floor Seating $50 - SOLD OUT

Hi-Top Table Seating $50 - SOLD OUT

 

Doors open at 6pm

18+ w/proper ID & All Ages w/parent

Outdoor smoking Patio / Free Parking

No Backpacks / No Outside Beverages / No Re-Entry

Walter Trout’s backstory is a page-turner you won’t want to put down. Five decades in the making; it is equal parts thriller, romance, suspense and horror. There are musical fireworks, critical acclaim and fists-aloft triumph, offset by wilderness years and brushes with the jaws of narcotic oblivion. There are feted early stints as gunslinger in bands from John Mayall’s Bluesbreakers to Canned Heat, and the solo career that’s still blazing a quarter-century later. 
The veteran bluesman has seen and done it all, with just one omission: he’s never made a covers album, until now. 
“Luther Allison’s Blues is my first,” Trout notes. “I’ve thought about doing this album for years. It was just time.”

Of all the peaks in Trout’s trajectory, his abiding memory of the late Chicago bluesman is perhaps the most literal. It’s 1986, and high above Lake Geneva, at the palatial Alpine chalet of late Montreux Jazz Festival Svengali Claude Nobs, lunch is being served. “So we’re up at the top of the Alps,” Trout recalls, “in this big room with John Mayall, Buddy Guy, Junior Wells, Robert Cray, Otis Rush, and as we’re eating, Dr. John is serenading us on acoustic piano. I was sat there with Luther Allison, and we had a great talk.

HELLZAPOPPIN CIRCUS SIDESHOW

Live performance at The Token Lounge

 

Showtime 8:30pm

Doors open at 7pm

Advance tickets $20 and $25 at the door

Free Parking & outdoor Smoking Patio

No Re-Entry / No Backpacks / No Outside Beverages

Popa Chubby, born Ted Horowitz, has been hard rocking the blues in his fierce and soulful way for more than 25 years. Over the course of a career that dates back to 1994, he has been a force of to be reckoned with on the guitar, and his tempestuous, soulful playing has never been more powerful. An imposing figure with a shaven head, tattooed arms, a goatee and a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson," Popa Chubby is an endearing character who is one of the genre’s most popular figures.



His career has always been about moving forward and carving a place for himself in the imposing terrain of the music business, overcoming odds to continue growing and maturing as a creative force. He has built a constantly increasing base of fans across the world, where in many territories he is a star. A native New Yorker, Horowitz's first gigs were in the NYC punk scene as a guitarist for what he reflects was a "crazy Japanese special effects performance artist in a kimono called Screaming Mad George who had a horror-movie inspired show." Right from the start he was immersed in rock ‘n’ roll as theater, and learned from George and others playing CBGB’s at the time that included the Ramones, the Cramps, Richard Hell, whose band, the Voidoids he joined that rock ‘n’ roll should be dangerous. He reflects, "Musicians like the Ramones and the Sex Pistols weren’t just bands. They were a threat to society."


Showtime:
08:00pm POPA CHUBBY
Doors open at 7pm

The Blues however was the foundation of his playing style. He recalls, "Since I’d grown up on Hendrix, Cream and Led Zeppelin, when I started playing blues in New York clubs I understood that the blues should be dangerous, too. It wasn’t just from playing in punk bands. Howlin’ Wolf and Muddy Waters were dangerous men. They’d cut or shoot you if they thought it was necessary, and Little Walter packed a gun and wouldn’t hesitate to use it. That danger is a real part of the Blues and I keep it alive in my music.”



Popa Chubby is his own man for better or worse. He reflects, "I’m living in a wild time, and that is where the inspiration is drawn from. There are my issues, but the picture is much bigger than me and my situation. Everything is breaking down in the world. The lines are being redefined. We all need something.”